James Parker (b. 1992) is a composer based in Austin, TX. James’ work focuses on the relationship between the composer and performer, asking performers to improvise and interact with each other or an element of live electronics. His work questions the idea of authorship in classical music, and encourages advocacy for the performer. James’ work has been performed internationally at various festivals, conferences and showcases including the Navy Saxophone Symposium and the Cohen New Works Festival

Gabriela Kane completed a portfolio in the Arts and Cultural Management and Entrepreneurship Program and an MA in Latin American Studies at UT Austin. She is currently Operations Manager for Texas Folklife. After earning her BA in International Studies and Spanish from Texas A&M University, Gabriela managed the SEAD Gallery, an arts-based community development initiative of Advent GX serving downtown Bryan, Texas. Through her graduate studies, Gabriela researched Chilean cultural policy and indi

Sandy is a storyteller and coordinator who serves as the Director of Sad Girls Productions. In March 2020, Sad Girls premiered its original show So Lucky which explores themes of Asian/Asian American cultural identity, mental health, intergenerational conflict, immigrant families, and community building. Sandy wrote, produced, and performed in So Lucky. In her work, she aims to use art as a medium to have difficult conversations, tell stories about diversity, and bring communities together. Lear

Armed with the belief that the arts are one of the last spaces for diversity to thrive and authentic stories to be told, Walden has dedicated her career to amplifying the voices of her community. Walden is a proud graduate of The University of Texas at Austin. Currently, Walden works in Development for the Austin Symphony Orchestra. Walden is deeply looking forward to the opportunity EAL affords and can't wait to pursue a long, happy career in arts management.

Ronan is a native Austinite who has returned home from getting his BFA at New York University & The Stella Adler Studio of Acting. He is part of the Education team at the Long Center and a company member with Hidden Room Theatre. He hopes to be an advocate for and collaborator with local theaters and artists. Recent credits include Parolles (All’s Well that Ends Well; Past is Prologue). Frederick (The Rover; Hidden Room Theatre) and Malcolm (Macbeth; Rosedale Shakespeare).

James Parker (b. 1992) is a composer based in Austin, TX. James’ work focuses on the relationship between the composer and performer, asking performers to improvise and interact with each other or an element of live electronics. His work questions the idea of authorship in classical music, and encourages advocacy for the performer. James’ work has been performed internationally at various festivals, conferences and showcases including the Navy Saxophone Symposium and the Cohen New Works Festival

Gabriela Kane completed a portfolio in the Arts and Cultural Management and Entrepreneurship Program and an MA in Latin American Studies at UT Austin. She is currently Operations Manager for Texas Folklife. After earning her BA in International Studies and Spanish from Texas A&M University, Gabriela managed the SEAD Gallery, an arts-based community development initiative of Advent GX serving downtown Bryan, Texas. Through her graduate studies, Gabriela researched Chilean cultural policy and indi

Sandy is a storyteller and coordinator who serves as the Director of Sad Girls Productions. In March 2020, Sad Girls premiered its original show So Lucky which explores themes of Asian/Asian American cultural identity, mental health, intergenerational conflict, immigrant families, and community building. Sandy wrote, produced, and performed in So Lucky. In her work, she aims to use art as a medium to have difficult conversations, tell stories about diversity, and bring communities together. Lear

Armed with the belief that the arts are one of the last spaces for diversity to thrive and authentic stories to be told, Walden has dedicated her career to amplifying the voices of her community. Walden is a proud graduate of The University of Texas at Austin. Currently, Walden works in Development for the Austin Symphony Orchestra. Walden is deeply looking forward to the opportunity EAL affords and can't wait to pursue a long, happy career in arts management.

Ronan is a native Austinite who has returned home from getting his BFA at New York University & The Stella Adler Studio of Acting. He is part of the Education team at the Long Center and a company member with Hidden Room Theatre. He hopes to be an advocate for and collaborator with local theaters and artists. Recent credits include Parolles (All’s Well that Ends Well; Past is Prologue). Frederick (The Rover; Hidden Room Theatre) and Malcolm (Macbeth; Rosedale Shakespeare).

Steve Parker is an artist, musician, and curator in Austin, TX. He is the recipient of the Rome Prize, the Tito’s Prize, a Fulbright, and grants from the National Endowment for the Arts. Parker works with salvaged musical instruments, amateur choirs, marching bands, urban bat colonies, flocks of grackles, and pedicab fleets to investigate how communal listening can provoke greater social awareness and responsibility. His projects include elaborate civic rituals for humans, animals, and machines;

Shaleiah Fox oversees development and external relations at Black Studies at The University of Texas at Austin, a collective that includes a policy institute, an academic department, two art galleries, and a cultural and programming division. Increasing representation of marginalized groups in development and in higher education is a priority for Shaleiah and to that end, she takes part in multiple diversity and inclusion committees across campus and co-chairs the Recruiting and Hiring Subcommit

Matrex Kilgore is an international theatre performer, director, teaching artist, and arts administrator based in Austin, Texas. He has taught theatre for social change to students ranging in age from elementary to senior citizens. Several of his acting students have been selected into the programs at: New York University, University of Michigan, Liverpool School of the Arts, Oklahoma City University, and Julliard. He has worked internationally performing and creating bilingual performances based

Lois Kim serves as Texas Book Festival’s chief executive, responsible for managing staff, programs, operations, external relations, and resource development. An immigrant from Seoul, Korea, Lois grew up in Williamsville, New York. She holds a bachelor’s degree in English from the University of Michigan and a master’s degree and Ph.D. in English from the University of Texas at Austin, where her research focused on Shakespeare and early modern culture. In her early career, she taught high school E

Shawn Sides is a founder and a Co-Producing Artistic Director of Rude Mechs Theatre Collective in Austin, TX. As such, Shawn has co-conceived, created, and directed a new work every year, give or take, since 1996. She most recently⁠ directed Not Every Mountain, rudes’ meditation on change and impermanence, at Guthrie Theater in Minneapolis and Pancho Villa from a Safe Distance, a chamber opera by Graham Reynolds for Ballroom Marfa and Prototype Festival⁠ of New Opera in NYC. She’s currently deve

Steve Parker is an artist, musician, and curator in Austin, TX. He is the recipient of the Rome Prize, the Tito’s Prize, a Fulbright, and grants from the National Endowment for the Arts. Parker works with salvaged musical instruments, amateur choirs, marching bands, urban bat colonies, flocks of grackles, and pedicab fleets to investigate how communal listening can provoke greater social awareness and responsibility. His projects include elaborate civic rituals for humans, animals, and machines;

Shaleiah Fox oversees development and external relations at Black Studies at The University of Texas at Austin, a collective that includes a policy institute, an academic department, two art galleries, and a cultural and programming division. Increasing representation of marginalized groups in development and in higher education is a priority for Shaleiah and to that end, she takes part in multiple diversity and inclusion committees across campus and co-chairs the Recruiting and Hiring Subcommit

Matrex Kilgore is an international theatre performer, director, teaching artist, and arts administrator based in Austin, Texas. He has taught theatre for social change to students ranging in age from elementary to senior citizens. Several of his acting students have been selected into the programs at: New York University, University of Michigan, Liverpool School of the Arts, Oklahoma City University, and Julliard. He has worked internationally performing and creating bilingual performances based

Lois Kim serves as Texas Book Festival’s chief executive, responsible for managing staff, programs, operations, external relations, and resource development. An immigrant from Seoul, Korea, Lois grew up in Williamsville, New York. She holds a bachelor’s degree in English from the University of Michigan and a master’s degree and Ph.D. in English from the University of Texas at Austin, where her research focused on Shakespeare and early modern culture. In her early career, she taught high school E

Shawn Sides is a founder and a Co-Producing Artistic Director of Rude Mechs Theatre Collective in Austin, TX. As such, Shawn has co-conceived, created, and directed a new work every year, give or take, since 1996. She most recently⁠ directed Not Every Mountain, rudes’ meditation on change and impermanence, at Guthrie Theater in Minneapolis and Pancho Villa from a Safe Distance, a chamber opera by Graham Reynolds for Ballroom Marfa and Prototype Festival⁠ of New Opera in NYC. She’s currently deve